![]() I learned to read music and to not have a Staff View in a DAW is completely baffling to me. Mostly it's the Staff View that makes me love it. The audio display on the tracks is big and fat and that really helps when editing, you can resize the display without changing the track volume. Likes: You can open multiple tracks in the best Staff View available, that lets you copy a bass part from a piano part, for example. No DAW that has the capabilities you need is going to be instantly easy to use, that's why people that start with Garage Band end up moving to Logic ProX. If your vision of your recording work involves MIDI you should be patient with yourself and DP and stick with it. ![]() There is not room here for a step 1, step 2 tutorial, but DP is no harder to learn than any other professional DAW. It does audio pitch correction right in the channel, no plug-in required, for instance. Of course its audio capabilities are on a par with any other program. I have worked with many different DAWs and - in my opinion - none of them can equal DP in MIDI recording and editing. I've been using DP since it was just Performer - just MIDI no audio! (I'm SO OLD.)īut that MIDI-centric heritage of DP is a huge strong point in its favor if you use a lot of virtual instruments or hardware modules in your intended recording workflow.
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